Sunday, November 20, 2011

Genelia D'Souza Filmography

Genelia made her acting debut in Bollywood in 2003, with Tujhe Meri Kasam, alongside Ritesh Deshmukh. The movie centers on two friends, who study in the same college, have houses opposite each other, and were born in the same hospital on the same day. D'Souza portrayed Anju, one of the friends. The movie garnered poor box office returns, and it failed to propel her career in Bollywood. Following her poor debut in Bollywood, she decided to act in South Indian films. Tamil director, S. Shankar, was impressed with her performance in the Parker Pen commercial and decided to cast her in a leading role in his 2003 Tamil film Boys, a story about five teenagers having stereotypical teen-boy fantasies. D'Souza portrayed the character of Harini, a girl who falls in love with one of the boys from the group.

The movie was well received, and subsequently she started receiving Telugu film offers. She left Tamil cinema for a while to concentrate on the Telugu film industry. She made her Telugu debut in Satyam in 2003 opposite Sumanth, in which she played the role of a medical student, for which she was praised for her performance. The movie was a box-office success,and it raised her profile in the Telugu film industry.

Broader public recognition came to D'Souza in her second Hindi movie, Masti in 2004, which was also opposite Ritesh Deshmukh. The comedy focuses on three close friends who reunite after three years, but are now married and are being harassed by their wives. D'Souza portrayed the character of one of the wives.
Indian film critic Taran Adarsh was complimentary of D'Souza's role, saying, "Amongst the wives, Genelia is the best, Genelia looks the stern and demanding wife and is sure to be noticed." This film was a critical success, and also fared well at the UK box office. The same year, she appeared in the Telugu fim Samba. Her final Telugu movie in 2004 was Sye, set against a rugby union backdrop, in which she played the role of a vivacious college student. In 2005, D'Souza experienced a slump in her career. Her first Telugu movie in 2005, Naa Alludu, was commercially unsuccessful. Later that year, she starred in the Tamil romantic entertainer Sachein, in which she played the role of Shalini, a typical fashionable college-going Tamil girl.

A review in The Hindu noted, "Genelia, who hardly made an impression in Boys, makes much impact in Sachein." The movie evoked mixed response from audiences, but was well received with the younger generation, and was a commercial success. She later appeared in the Telugu patriotic movie Subhash Chandra Bose set against a backdrop of Pre-independence period, which was also an economic failure. The year 2006 marked a significant turning point in D'Souza's career. She completed two Telugu movies in early 2006, one was the romantic comedy Happy, and the other was Raam. She then portrayed the role of Haasini, a vibrant, effervescent and a happy-go-lucky young girl, in the 2006 Telugu romantic film Bommarillu, alongside Siddharth Narayan. The movie, a blockbuster at the box-office, grossed Indian rupee250 million (US$ 5.68 million) in India, and also won the 2006 Golden Nandi award.

Her character was well-received by critics, and garnered her the Telugu Filmfare Award for Best Actress, besides Nandi Special Jury Award and Santosham Award for Best Actress. Following the success of Bommarillu, D'Souza played the role of the daughter of a local don, in the Tamil gangster film Chennai Kadhal. D'Souza's performance received ambivalent reviews. While The Hindu praised her performance, Rediff criticized her commenting, "Genelia stands up yet again to prove the point that if you are pretty and well dressed, you can get away with anything, without acting." Shortly after wards in 2007, D'Souza played the role of sister of a notorious gangster in the blockbuster Telugu movie Dhee. Her performance was appreciated, netting her the FNCC Best Actress Award. The following year, D'Souza appeared in the 2008 Telugu romantic thriller Mr. Medhavi, in which she portrayed the role of a student from Canada. The movie was moderately successful, nonetheless D'Souza was complimented for her performance. ( )

She made her Kannada debut in Satya In Love the same year, in which she was appreciated for her smile. Later, she was cast in a leading role in Santhosh Subramaniam, a Tamil remake of Bommarillu. The film also turned out to be rather successful as its predecessor. Sify described D'Souza's portrayal as "the soul of the film" and the film's "biggest strength", however Rediff described her character as "appears a little too good to be true."

Thursday, November 17, 2011

Genelia D'Souza BioGraphy

Genelia Personal Profile

Name: Genelia D'souza

Nick Name: Genny,Cheenu

Date of Birth: August 5, 1987

Birth Place: England

Height: 5 ft 6 inches

Schooling: Apostolic Carmel High School in Bandra

College: St. Andrews College, Bandra

Education: Business Administration

Family: Mom, dad and elder brother

Profession: Actress, Model

First Film: Boys

First Hero: Siddarth

First Director: Shankar

First Producer: AM Rathnam

Hobbies: Watching movies and listening to songs

Favorite movie stars: Sharukh Khan and Kajol

Favorite singer: Lucky Ali

Favorite song: Secret of success

Favorite dresses: Jeans, T Shirts and Salwar Kameez

Languages known: English, Hindi, Telugu, Tamil, Kannada

Religion: Christian

Marital Status: Single

Nationality: Indian

Claim to fame: For Hasini role in Bommarillu movie (2006)

Genelia Biography

Genelia D'Souza is an Indian film actress, model, and host. She has appeared in Telugu and Hindi language films, as well as Tamil, Malayalam and Kannada language films. D'Souza first hit the limelight in a Parker Pen commercial with Amitabh Bachchan. She made her acting debut in the Hindi movie Tujhe Meri Kasam in 2003, which failed to propel her career in Bollywood, but soon achieved recognition in the Tamil film Boys the same year. She subsequently acted in many Telugu movies during the period from 2003 to 2005, which earned her recognition in the Telugu film industry.

Born in Mumbai into a Mangalorean Catholic family, D'Souza was raised a Roman Catholic in the Bandra suburb of Mumbai. Her mother Jeanette D'Souza was formerly a secretary to managing director with a Pharma MNC, who left her job in 2004 to help Genelia with her career. Her father Neil D'Souza, is a senior official with Tata Consultancy Services (TCS). She also has a younger brother, Nigel D'Souza. According to D'Souza, her name "Genelia", means "rare" or "unique", and is a portmanteau of Jeanette and Neil, her mother and father's name. She is also often informally referred to as Geenu, her nickname. D'Souza studied at the Apostolic Carmel High School in Bandra and later joined St. Andrew's College in Bandra to pursue her Bachelor's Degree of Management Studies. She completed her degree while shooting for her first film, Tujhe Meri Kasam in 2003 and initially thought that an MNC job would suit her. She liked sports and studies in college, and was also a State level athlete, sprinter and a National level Football player. D'Souza did her first modeling assignment at age 15, the result of being spotted as the bridesmaid at a wedding. She was selected for the Parker Pen commercial with Amitabh Bachchan, just two days before her exams, and had to shoot the next day. Initially she refused, because of her exam the next day, but the director persuaded D'Souza to shoot for the commercial. ( )

She gained wide attention from the Parker Pen commercial with Amitabh Bachchan, who said "she was good, and her expressions were spontaneous". She further did a Fair and Lovely 2003 Cricket World Cup advertisement with cricketer Krishnamachari Srikkanth.

Thursday, November 10, 2011

Rockstar Movie Reviews

Cast: Ranbir Kapoor, Nargis Fakhri, Shammi Kapoor, Aditi Rao Hydari, Kumud Mishra, Piyush Mishra, Shernaz Patel, Moufid Aziz

Directed by Imtiaz Ali

Rating : *

This film says that depression, apart from making one horny, ignites the artist in one. But our lead, Janardhan Jakhar/JJ (Ranbir Kapoor) was neither adopted, nor abused as a child to feel down enough to become like his idol, Jim Morrison. So, to pursue pain, JJ flirts with college hottie and serial heart-breaker, Heer Kaul (Nargis Fakhri). He hopes to be dumped, shattered and consequently become a musical genius. But following several awkward proposals, JJ and Heer actually bond over doing wild things, which they trigger off by saying, ‘gandh machaate hain!’

While Heer is scheduled for a Kashmir marriage that would jet her off to Prague, JJ crashes her wedding but avoids clich├ęd Bollywood tactics of charming her parents or making a swift getaway as they’re not in love. The wedding leads to Heer’s departure, closely followed by logic departing from this feeble rock-u-drama like a ball smashed from Sachin Tendulkar’s bat. ( )

JJ is clobbered and thrown out of his house for attending Heer’s wedding (a crime because?) and a reason even sillier than that. Broken and hungry, JJ takes refuge at a ‘darga’ which also doubles as ‘school of Sufi music for the lesser privileged’. After two months, he also spends some time, making a living babbling bhajans (to be fair that all religions offer a chance to hone one’s musical bone?).

One montage leads to another and JJ becomes Jordan, a revolutionary solo artist, headed to Prague for a recording. Song and dance numbers to amuse the country’s tourism board follow as Jordan and Heer finally get intimate (just when we thought they’d hook up in the sequel). If Heer’s married state wasn’t rarifying enough, she also suffers from psychiatric issues and is finally diagnosed with a form of terminal bone marrow. Oh, yeah! Yeah! Yeah! Finally, an orgasm of sadness results in compositions like ‘Nadaan Parindey Ghar Aaja’, possibly dedicated to the script writers of ‘Rockstar’ who never returned to the sets.

Ranbir is committed in his disturbed desi rocker avatar and his abstention from any intoxicants makes him an idol who wouldn’t corrupt his worshipers. Nargis blends divine beauty with lips that jive like she’s in the movie, ‘Finding Nemo’.

Although the ‘Rockstar’ soundtrack is being crowned universally, Rahman’s work has become formatted. It’s like, be it a horror or an animated children’s film, Rahman will insert a minimalistic yet soulful Sufi number (*Kun Faaya Kun), one Masakali equivalent- (*Sheher Mein), one high-pitched Dil Se-esque number (*Nadaan Parindey) and a soft soothing love song (Tum Ho). Shamelessly ignoring the rock theme, only ‘Saadda Haq’ comes close to the head banging genre. Also note that Mohit Chauhan is a trained professional and do not try singing ‘Oh, yeah! Yeah! Yeah!’ at home or outdoors, unless you want to risk being certified as an imbecile.

The film’s crisp post-production and beautiful cinematography makes the screen light up to dreamy sights and the enumerable chopper shots allow a great vantage point to take in the stunning landscapes of this eastern European country.

Watching ‘Rockstar’ once is like watching it many times over, thanks to the repeated montages that sporadically recap the film. If you thought being stabbed once was bad, here’s what a knife set can do.

The film drives home an unscientific hypothesis that people who’ve endured sufferings/ heart break/ loose motions etc will reach their creative best. By this logic, each person in the audience will be blessed with superhuman creativity as they step out after watching ‘Rockstar’. Oh, yeah! Yeah! Yeah!